This successful manufacturer produced ‘The Musette’ spinet and cost a princely sum of around $300. (This company later became Baldwin Pianos). You can find me at Miller Piano Specialists, please call or text them for appointment times and availability. I am waiting for a new home and would make a great starter piano. The company, then called ‘Winter & Co’ later became the more renowned ‘Aeolian-American Corporation’. I am a Wurlitzer spinet with matching bench in walnut. If accounts are to be believed the first spinet piano came up for sale to the public in May of 1935. This limited the options for the instrument when it came to performances in larger venues than the home. As you might expect the volume produced by the spinet piano was not even close to that of a grand or upright. The bass notes had a particularly poor tone quality that may have contributed to the decline of the instrument. The strings were by necessity shorter to be easily accommodated in the cabinet and this, in turn, made the quality of the sound produced by the spinet piano quite considerably inferior to that of even the humble upright piano.
#Wurlitzer spinet piano. software
You can still find vintage Wurlitzer pianos or you can opt for one of the many very credible software libraries and play the ‘virtual’ Wurlitzer instead.Given the smaller dimensions of the spinet piano, there were also limits in terms of its tonal response. Today Wurlitzer is part of the Gibson Guitar Cooperation and sadly the pianos of any variety are no longer made.
#Wurlitzer spinet piano. series
The 200 series eventually superseded previous models and this incorporated two loudspeakers. In the 1960s, Wurlitzer moved onto the 140-model using solid-state technology, and the 145 used a tube amplifier. This tonal quality proved immensely popular amongst the bands of the 1960s and 70s.
When played softly they have a bell-like quality, but when pushed to produce a more extreme dynamic, they are sound almost ‘overdrive’ and slightly distorted. Another distinguishing difference is the sensitivity to the dynamic performance that the Wurlitzer EPs possess. The resulting tone or timbre is quite distinct from a Fender Rhodes that uses ‘tines’ (that more closely resemble tuning forks), is harder, even described as having a ‘bark’. These reeds vibrate when struck by the felt hammers and the vibration is then ‘picked-up’ in a similar way to that of an electric guitar. The EP-110 uses metal ‘reeds’ (a flat strip of metal similar to a wooden reed on a saxophone or clarinet), of differing lengths according to the desired pitch to make its sound. Fender Rhodes made an equally fashionable electric piano that has also stayed highly popular today, but that whose sound is radically different from the Wurlitzer. Sojin Upright Weber Upright 1990 Wurlitzer Upright 1989 Referrals Piano. Wurlitzer spinet 1931 Wurlitzer Spinet 1966 1971 Wurlitzer Spinet Player 1961 Kimball Spinet 36 Upright Pianos. What separates this piano from its rivals is the way it produces the sound. Wurlitzer C-153 5’2 Baby Grand Wurlitzer 5’2 Baby Grand Howard 4’8 Petite Baby Grand Kurtzmann 5’7 Parlor Grand Spinet Pianos. This was unceremoniously titled the EP-110. It was in 1954 that Wurlitzer produced their first EP. Keep in mind the Wurlitzer motto at the time was “Everything Musical”, so you can understand the entrepreneurial diversity with which the company approached the market of the time. This is the PERFECT instrument for someone who is just starting out on the piano It has everything you need to get going on piano lessons. This included the range of mechanical instruments that were built around the turn of the last century for approximately thirty years. Other pianos featured in the Wurlitzer catalog for which they became equally well-respected and renowned. Many of these instruments have stood the test of time and if you should find one in good condition, you will not be disappointed. This was amusingly called their ‘Wurl-On-Finish’ that made the pianos highly resistant to temperature changes and moisture or dryness in the air. Without embarking on in-depth scrutiny of the engineering of these characteristics, suffice it to say that they were devised to enhance the richness of tone as well as make the playing experience first class.Īn additional selling point to these now historic pianos, both upright and grand, was the durability of their finish. Two other notable features were part of the Wurlitzer models, the ‘pentagonal soundboard’ and ‘tone-crafted hammers’. The design of these instruments was particularly eye-catching and innovative.
Wurlitzer produced acoustic pianos from quite early in the company’s history.
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